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The Clown's Baby

by Peter Hayward

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about

“The Clown’s Baby” was a poem written by Margaret Vandergrift at some point in the late 1800’s. While it was seemingly never set to music, the opening verse, scansion, and themes of the song clearly served as the inspiration for Bob Dylan’s classic 1965 song “Desolation Row.”

I was approached by a Dylan fan that runs dylyricus.com, who had made this discovery while sifting through the John Lomax book "Songs Of The Cattle Trail And Cow Camp” in the mid 1990’s.

Now in 2021, for the first time, you can hear Vandergrift’s poem, “The Clown’s Baby,” set to the tune of the song it inspired, Dylan’s “Desolation Row.”

lyrics

The Clown’s Baby

It was on the western frontier,
The miners, rugged and brown,
Were gathered round the posters,
The circus had come to town!
The great tent shone in the darkness
Like a wonderful palace of light,
And the rough men crowded the entrance,
Shows didn’t come every night!

Not a woman’s face among them;
Many a face that was bad,
And some that were only vacant,
And some that were very sad.
And behind the canvass curtain,
In a corner of the place,
The clown, with chalk and vermillion,
Was “making up” his face.

A weary looking woman
With a smile that still was sweet,
Sewed on a little garment,
With a cradle at her feet.
Pantaloon stood ready and waiting,
It was time for going on:
But the clown in vain searched wildly,
The “property baby” was gone!

He murmured, impatiently hunting,
“It’s strange that I cannot find
There, I’ve looked in every corner;
It must have been left behind!”
The miners were stamping and shouting,
They were not patient men;
The clown bent over the cradle,
“I must take you, little Ben.”

The mother started and shivered,
But troubled and want were near;
She lifted the baby gently,
“You’ll be very careful dear?”
“Careful? You foolish darling!”
How tenderly it was said!
What a smile shone through the chalk and paint!
“I love each hair of his head!”

The noise rose into an uproar,
Misrule for a time was king;
The clown with a foolish chuckle
Bolted into the ring
But as, with a squeak and flourish,
The fiddles closed their tune
“You’ll hold him as if he were made of glass?”
Said the clown to the pantaloon.

The jovial fellow nodded,
“I’ve a couple myself,” he said.
“I know how to handle ‘em, bless you!
Old fellow, go ahead!”
The fun grew fast and furious,
And not one of all the crowd
Had guessed that the baby was alive,
When he suddenly laughed aloud.

Oh, that baby laugh! It was echoed
From the benches of the ring,
And the roughest customer there sprang up
With, “Boys, it’s the real thing.”
The ring was jammed in a minute,
Not a man that did not strive
For a “shot at holding the baby,”
The baby that was alive!

He was thronged with kneeling suitors
In the midst of the dusty ring,
And he held his court right royally,
The fair little baby king,
Till one of the shouting courtiers,
A man with a bold, hard face,
The talk, for miles, of the country,
And the terror of the place,

Raised the little king to his shoulder
And chuckled, “Look at that!”
As the chubby fingers clutched his hair;
Then, “Boys, hand round the hat!”
There never was such a hatful
Of silver and gold and notes;
People are not always penniless
Because they don’t wear coats.

And then, “Three cheers for the baby!”
I tell you those cheers were meant,
And the way that they were given
Was enough to raise the tent.
And then there was a sudden silence
And a gruff old miner said,
“Come boys, enough of this rumpus;
It’s time it was put to bed.”

So looking a little sheepish,
But with faces strangely bright,
The audience, somewhat lingering,
Flocked out into the night.
And the bold-faced leader chuckled,
“He wasn’t a bit afraid!
He’s as game as he’s good looking!
Boys, that was a show that paid!”

-Margaret Vandergrift

credits

released March 5, 2021
Artwork by Alex Tuthill-Preus.

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about

Peter Hayward Minneapolis, Minnesota

Minneapolis based Singer/Songwriter and multi-instrumentalist.
PeterHaywardMusic@gmail.com

www.facebook.com/PeterHaywardMusic

twitter.com/Peter_Hayward_

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